Page of Duet by TERBRUGGHEN, Hendrick in the Web Gallery of Art, a searchable image collection and database of European paintings and sculptures (1100-1850)
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Duet
1628
Oil on canvas, 101 x 81 cm
Muse du Louvre, Paris
Engravings portraying young men playing lutes in the company of young women were created with various texts during the sixteenth and seventeenth centuries. As part of a series depicting the five senses, such couples may have referred to Hearing; they may also have symbolized sanguine temperament, or, in some cases, "earth" from among the four elements, or the age of twenty. In each case, however, the common factors are youth, earthiness and full-bloodedness; these have been depicted since the Middle Ages, and all had to do with love: "Learn to play the lute and the spinet, The strings can caress the heart!" advised the poet Jacob Westerbaen (Gedichte II, The Hague, 1672). The lute often appeared on the cover illustration of hymnbooks as an erotic symbol, or as the attribute of Voluptas or Luxuria.
It is thus very likely that the ornamental, double-stringed lute with its large rosette appears in Terbrugghen's painting to express a similar idea.
In the painting of this Caravaggist artist from Utrecht the singing youths are characterized by exuberant gaiety, fully matured bodies and bright colours. The unusually colourful clothes, however, do not seem to be in accord with the fashions of the contemporary Dutch bourgeoisie. They resemble the dress of Burgundian actors from the previous century; thus they emphasize the "Bohemian" character of the two figures. The feathered beret, which was commonly used to indicate sensuality, bears special attention. The low-cut dress of the young woman is also a hint: an Amsterdam iconographic text from the sixteenth century prescribes a similar dress to express indecency. This must have been intended as a moralizing element in this otherwise rather tempting, happy scene, as these frivolous-looking paintings were always created with the aim of teaching a moral lesson.
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